孔繁亮,字仲飞(孔子七十四代),一九七三年生于曲阜,自幼传承祖训,酷爱书画、篆刻,始临周、秦、两汉古印,其作品悠远凝重,古郁沁人。篆刻宗秦汉鉩印,刀法挺拔,不求时尚,非至好不能得其所刻。画印独具神韵,浑然天成。透射出匠者允文允武,诸艺兼容的修养和溯本寻源,朴实严谨的印风。篆刻师法丁敬,参以己意,于流利中见朴茂,且以颜体行楷刻侧款,别有风致。每一印均可体味出作品倾注的人之情、思之绪、古之悠、今之畅、自然之美。后得到多位篆刻艺术界前辈之言传身教,经过二十余载不懈努力,心摩手锤,渐成其篆刻艺术独特风格。  
  自九十年代以来,先后在国内外巡回展览,现场篆刻,其作品多次参加世界、全国权威大赛并获奖。现聘为万杰画院篆刻师,醒醉书画院特聘副院长、昊行印社社长。

篆刻起源
  篆刻,自起源至今的三千七百多年的漫长历史中,历经了十余个朝代。在这个长期的发展过程中,篆刻艺术出现了两个高度发展的历史阶段。
一个是战国、秦汉、魏晋六朝时期,这一时期的篆刻用料主要为玉石、金、牙、角等。它被称为“古代篆刻艺术时期”,它的篆刻艺术特点主要是以时代来划分。篆刻发展到了唐、宋、元时期,则处于衰微的时期。在这一时期,由于楷书的应用取代了篆书,同时官印和私印根本上分家,篆刻艺术走上了下坡路。这种形势到了元末出现了转机,画家王冕发现了花乳石可以入印,从而使石料成了治印的理想材料。到了明代,篆刻艺术进入了复兴时期。
  明清以来,篆刻又迎来了它的第二个发展高峰期,它的篆刻艺术特点主要是流派纷呈。在这一时期文彭、何震对流派篆刻艺术的开创起了重大的作用。文彭是文征明的儿子,是他在一次偶然的机会,发现了“灯光石”冻石可以当做治印材料。经过他的倡导,石材被广泛的应用。在这以后的一段时期内篆刻艺术流派纷呈现,出现了程邃、丁敬、邓石如、黄牧甫、赵之谦、吴让之等篆刻艺术家,一时间篆刻艺术呈现出了一派繁荣的景象。
  Kong Fan Liang,also named as Zhong Fei (the 74th generation descendants of Confucius). He was born in 1973 in Qufu of Shandong procine. He liked chinese paintings and scals so much that when he was young he used to practise copying the ancient seals. For example the seals in Zhou, Qin, West Han, East Han Dynasty. Later he learned under sevetal professors who were good at carving. As Mr.Kong worked hard to inprove and refine his carving skills. arter 25 years. He broke away from the traditional styles of seal. He developed his versions or the styles used.  
  Since the 90`s, he has exchanged experience with the artists in foreign countries and in China Carving in public places. Mr.Kong was invited to more than 10 countries and regions in Asia. Europe and American to hold exhibitions, receiving numerous, complyments and honors.
  Now Mr.Kong is specially employed as a carver in Wanjie painting Schoool vise Presydent in Xingzui Painting school, the supervisor in Haoxing Seal Oganization.
 
联系方式
孔繁亮篆刻
手机:13176187280  15588756937

 

 

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